华南植物园水榭和桂林芦笛岩水榭是20世纪七八十年代岭南园林建筑的两处经典作品。它们与明代造园专著《园冶》里“花间隐榭，水际安亭”的字句遥相呼应，以现代主义建筑的创作风格构造出中国传统山水居游的惬意情境。以这两个经典现代风景建筑为例，尝试从情境、场景和身体体验 3 个不同角度，具体探讨风景建筑的营境操作。情境旨在针对建筑总体布局进行分析；场景则着眼于空间组合的探讨；最后从身体体验出发，讨论建筑的细部设计。

The waterside pavilion in South China Botanical Garden and the waterside pavilion in Reed Flute Cave of Guilin are two classics of Lingnan garden architecture in the 1970s and 1980s. Echoing with“pavilions hidden in flowers and pavilions above water”stated in Garden Forging,a monograph on gardening in Ming Dynasty,they are pleasant places for Chinese traditional landscape residence and tour with modernist architecture style.Based on the aforementioned two classic modern landscape architectures,this paper attempts to discuss the establishment of Jing-structure from three different angles：situation,scene and physical experience.The situation discussion pays attention to analyzing buildings layout, and the scene discussion focuses on space combination. Finally,from the perspective of physical experiences, the paper discusses the detailed design of buildings.

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